HomeGood BalitaFAP partners with DOLE-BWC to initiate Reel Change for film, TV workers

FAP partners with DOLE-BWC to initiate Reel Change for film, TV workers

Missy Maramara discusses rules on set protocols when shooting sensitive scenes.

The Film Academy of the Philippines teamed up with the Department of Labor and Employment Bureau of Working Conditions in holding “REEL CHANGE: Empowering Filipino Filmmakers through Learning and Innovation” to instill behavioral change among entertainment industry workers.

Continue the advocacy for safer and more inclusive film sets by learning how previous efforts like Instituto Cervantes de Manila’s educational partnerships at the Película-Pelikula Film Festival are inspiring change in the creative industry.

DOLE-BWC Director Atty. Alvin B. Curada opened the event last March 9, 2025, at the Dencar Theater, MOWELFUND in Quezon City. Held in celebration of the 2025 National Women’s Month, Curada stressed the need “to ensure safe, inclusive, and dignified work environments across all industries.”

Dr. Marco Antonio Valeros, DOLE-BWC Medical Officer IV, talked about Republic Act No. 7877, or the Anti-Sexual Harassment Act, and Republic Act No. 11313, or the Safe Spaces Act. He focused on the importance of stronger protections against Gender-Based Sexual Harassment in the workplace, as he tackled the “GBSH Safe Spaces Act: Promoting Safe Workspaces” and its relevance to the industry.

Discover how initiatives like FAP’s Reel Change align with the vision of award-winning student films such as Benilde’s “Beep Beep,” honored at CCP Gawad Alternatibo and UP POV, both championing safer, more conscious storytelling in Philippine cinema.

The in-depth conversation, which emphasized the shared responsibility of employers and workers in creating a harassment-free environment, also touched on “the continued coordinated efforts to promote anti-harassment policies, empower Committees on Decorum and Investigation (CODI), and intensify industry-wide awareness campaigns to create safer and more respectful workplaces.”

FAP Director General Paolo Villaluna led the participants, namely former FAP OIC and veteran production designer Manny Morfe, Director’s Guild of the Philippines, Inc. President Mark Meily, Cannes Palme d’Or awardee Raymond Red, Katipunan ng mga Artista ng Pelikulang Pilipino at Telebisyon President Hero Bautista, producers Janel Gutierrez and Kristine Kintana, Filipino Screenwriters Guild board members Jules Katanyag, Ma-an Asuncion-Dagñalan, Dustin Celestino, and Paul Sta. Ana, FSG members Pam Miras, Michael Angelo Dagñalan, and Seymour Sanchez, Philippine Talent Guilds President and Founder Evangeline Torcino, Max Celada, and Celeste Lapida, among others.

Support the movement for respectful and safe filmmaking environments as seen in FAP’s Reel Change, echoing the global recognition of conscious Filipino storytelling through films like Benildean short film “Balai,” a FAMAS awardee that competed internationally in Melbourne and Nepal last year.

A screening of the award-winning short film “Cross My Heart and Hope to Die” and a talkback session with director Sam Manacsa and producer Chad Cabigon gave the learning session attendees an opportunity to reflect on workplace experiences and real-life scenarios.

Dr. Missy Maramara, intimacy director and coordinator, discussed in detail the rules on set protocols when shooting sensitive scenes and gave exercises for the workshop participants to do in “Bawas Tao sa Set.” This is relevant to ensure safety and professionalism during intimate or challenging film productions.

Actress and filmmaker Sheenly Gener hosted the event.

FAP and DOLE-BWC plan to conduct the program on a bigger scale to reaffirm its commitment to strengthen labor rights and enhance occupational safety and health standards.

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Seymour Barros Sanchez
Seymour Barros Sanchezhttps://seymoursanchez.wordpress.com/
Seymour Barros Sanchez is an advocacy filmmaker, communication and film lecturer, freelance writer, content and creative producer, creative and technical consultant, and a former producer for news and current affairs programs.

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